Π§ΠΈΡΠ°ΡΡ ΠΎΠ½Π»Π°ΠΉΠ½ Β«Π‘ΠΊΠΎΡΠΎΡΡΡ ΠΎΡΠ²ΠΎΠ±ΠΎΠΆΠ΄Π΅Π½ΠΈΡ: ΠΊΠΈΠ±Π΅ΡΠΊΡΠ»ΡΡΡΡΠ° Π½Π° ΡΡΠ±Π΅ΠΆΠ΅ Π²Π΅ΠΊΠΎΠ²Β». Π‘ΡΡΠ°Π½ΠΈΡΠ° 95
ΠΠ²ΡΠΎΡ ΠΠ°ΡΠΊ ΠΠ΅ΡΠΈ
307
Elizabeth Richardson. The Mechanisms of Machismo / Artweek 16. β 30 (September 21, 1985). P. 4.
308
Jim Pomeroy. Black Box S-Thetis: Labor, Research, and Survival in the He[Art] of the Beast / Technoculture. Minneapolis. 1991. Pp. 292-293.
309
ΠΠ·-Π·Π° ΡΡΠΈΡ Π²ΠΈΠ΄Π΅ΠΎΡΠΈΠ»ΡΠΌΠΎΠ², ΠΊΡΡΠ°ΡΠΈ, ΡΠ°Π·Π³ΠΎΡΠ΅Π»ΡΡ ΡΠ΅Π»ΡΠΉ ΡΠΊΠ°Π½Π΄Π°Π». Π‘ΠΎΠ·Π΄Π°ΡΠ΅Π»ΠΈ ΡΠΈΠ»ΡΠΌΠ°, Ρ ΠΎΡΡ ΠΈ ΠΏΡΠΈΠ·Π½Π°Π²Π°Π»ΠΈ ΡΠ²ΠΎΠΉ Π΄ΠΎΠ»Π³ SRL, ΡΠ°ΠΊ ΠΈ Π½Π΅ Π²ΠΎΠ·Π²ΡΠ°ΡΠΈΠ»ΠΈ Π΅Π³ΠΎ, ΠΎΡΠΌΠ΅ΡΠ°Π΅Ρ ΠΠΎΠ»Π°ΠΉΠ½. "ΠΠ½ΠΈ Π½ΠΈ ΡΠ°Π·Ρ Π½Π΅ ΠΏΠΎΠΏΡΡΠ°Π»ΠΈΡΡ ΡΠ²ΡΠ·Π°ΡΡΡΡ ΡΠΎ ΠΌΠ½ΠΎΠΉ, ΡΡΠΎΠ±Ρ ΠΏΠΎΠΏΡΠΎΡΠΈΡΡ ΡΠ°Π·ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π½Π° ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ Π²ΠΈΠ΄Π΅ΠΎΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»ΠΎΠ² SRL Π² ΡΠ²ΠΎΠ΅ΠΌ ΡΠΈΠ»ΡΠΌΠ΅, ΠΈ ΠΎΡΠΊΠ°Π·Π°Π»ΠΈΡΡ Π·Π°ΠΏΠ»Π°ΡΠΈΡΡ Π½Π°ΠΌ Π·Π° ΡΡΠΎ ΠΏΠΎΡΠ»Π΅ Π²ΡΡ ΠΎΠ΄Π° Π΅Π³ΠΎ Π½Π° ΡΠΊΡΠ°Π½Ρ, β ΠΏΠΈΡΠ΅Ρ ΠΎΠ½ 31 Π°Π²Π³ΡΡΡΠ° 1993 Π³ΠΎΠ΄Π° Π² ΡΠ°ΠΊΡΠ΅ Π°Π²ΡΠΎΡΡ ΡΡΠΎΠΉ ΠΊΠ½ΠΈΠ³ΠΈ. β ΠΠΎΡΠ»Π΅ ΡΠΎΠ³ΠΎ ΠΊΠ°ΠΊ Ρ Π½Π°ΡΠ΅ΠΉ ΡΡΠΎΡΠΎΠ½Ρ Π±ΡΠ»ΠΎ ΠΎΠΊΠ°Π·Π°Π½ΠΎ Π΄Π°Π²Π»Π΅Π½ΠΈΠ΅, Miramax, Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΈΠΉ Π΄ΠΈΡΡΡΠΈΠ±ΡΡΡΠ΅Ρ ΡΠΈΠ»ΡΠΌΠ°, ΠΏΡΠΈΠ³ΡΠΎΠ·ΠΈΠ» Π½Π°ΠΌ Π΄ΠΎΠ»Π³ΠΈΠΌ ΠΈ Π΄ΠΎΡΠΎΠ³ΠΎΡΡΠΎΡΡΠΈΠΌ ΡΡΠ΄Π΅Π±Π½ΡΠΌ ΠΏΡΠΎΡΠ΅ΡΡΠΎΠΌ, Π² ΠΊΠΎΡΠΎΡΡΠΉ Ρ Π½Π΅ ΡΡΠ°Π» Π²Π²ΡΠ·ΡΠ²Π°ΡΡΡΡ, ΠΏΠΎΡΠΊΠΎΠ»ΡΠΊΡ ΡΡΠ΅ΡΠΎΠ² Π² ΡΠ²Π΅ΠΉΡΠ°ΡΡΠΊΠΎΠΌ Π±Π°Π½ΠΊΠ΅ Π½Π΅ Π΄Π΅ΡΠΆΡ".
310
Lewis Yablonsky. Op. Cit. P. 7.
311
Guy Trebay. Machine Dreams: Survival Research Laboratories' Heavy Metal / Village Voice. May 24. 1988. P. 20.
312
Calvin Ahlgren. Robot Olympics Gets Down to Nuts and Bolts: Performance Artist Puts Iron Men on Display / San Francisco Chronicle. September 10. 1989. P. 28.
313
Harry Moss. The Adventure of a Metalman: Robots Take Over the Palace / The City. October 1990. P. 29.
314
ΠΠ΅ΡΡΠ΅Π½Π½ΡΠΌ, Π° ΠΊΡΠΎΠΌΠ΅ ΡΠΎΠ³ΠΎ ΠΎΡΠ΅Π½Ρ ΠΆΠΈΠ²ΡΠΌ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΎΠΌ Π΄Π»Ρ Π½Π°ΠΏΠΈΡΠ°Π½ΠΈΡ ΡΡΠΎΠ³ΠΎ ΡΠ°Π·Π΄Π΅Π»Π° ΡΡΠ°Π» ΡΠ΅ΡΠ½ΠΎΠ²ΠΎΠΉ Π²Π°ΡΠΈΠ°Π½Ρ ΡΠ°Π±ΠΎΡΡ Negativeland Presents the Rex Everything Guides. Vol. I: Disneyland (Π½Π° ΠΌΠΎΠΌΠ΅Π½Ρ Π½Π°ΠΏΠΈΡΠ°Π½ΠΈΡ ΠΊΠ½ΠΈΠ³ΠΈ Π½Π°Ρ ΠΎΠ΄ΠΈΠ»Π°ΡΡ Π² ΠΏΠ΅ΡΠ°ΡΠΈ).
315
Michel Foucault. Discipline and Punish: The Birth of the Prison. New York. 1979. P. 136.
316
Ibid.
317
Samuel Haber. Efficiency and Uplift. Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Stuart Ewen. Captains of Consciousness. New York. 1976. Pp.105-106.
318
Tri-City Labor Review. Rock Island. III. Aprile 13. 1932. Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Stuart Ewen Op. Cit. P. 11.
319
Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Ellen Lupton. J. Abbott Miller. Hygiene, Cuisine and the Product World of Early Twentieth-Century America / Zone 6: Incorporations. New York. 1992. P. 504.
320
Stuart Ewen. Op. Cit. P. 19.
321
Mike Kelley. Mekanik Destruktiv Kommandoh: Survival Research Laboratories and Popular Spectacle. / Parkett. β 22 (September 1989). P. 127.
322
Ibid.
323
Scott Bukatman. There's Always Tomorrowland: Disnay and the Hypercinematic Experience. / October. β 57 (Summer 1991). Pp. 63-64.
324
Isaac Asimov. The rest of the Robots. New York. 1964. P. 11.
325
Frederik L. Schodt. Inside the Robor Kingdom: Japan, Mechatronics, and the Coming Robotopia. New York. 1988. P. 163.
326
John G. Fuller. Death by Robot / Omni. March 1984. P. 102.
327
Andrew Ross. Strange Weather: Culture, Science and Technology in the Age of Limits. New York. 1991. P. 95.
328
Jon Palfreman. Doron Swade. The Dream Machine: Exploring the Computer Age. London. 1991. Pp. 179-180.
329
Umberto Eco. Travels in Hyperreality. New York. 1986. Pp. 47-48.
330
Mark Pauline. Technology and the Irrational / Ars Electronica / BandII/ Virtuelle Welten. Linz. 1990. P. 232.
331
Kevin Kelly. Out of Control: The Rise of Neo-Biological Civilization. Reading. 1994. P. 32.
332
Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Negativeland Presents the Rex Everything Guides. Vol. I: Disneyland. Op. Cit. P. 115.
333
Judith A. Adams. Op. Cit. P. 45.
334
Jane Kuenz. It's a Small World After All: Disney and the Pleasures of Identification / The World According to Disney // South Atlantic Quarterly. V. 92. β 1 (winter 1993). P. 71.
335
Judith A,. Adams. Op. Cit. P. 56.
336
ΠΠ΅ΠΎΠΏΡΠ±Π»ΠΈΠΊΠΎΠ²Π°Π½Π½ΠΎΠ΅ Π²ΡΡΡΠΏΠ»Π΅Π½ΠΈΠ΅ ΠΠ°ΡΠΊΠ° ΠΠΎΠ»Π°ΠΉΠ½Π° ΠΊ ΠΏΡΠ΅ΡΡ-ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°ΠΌ.
337
Bruce Sterling. Crystal Express. New York. 1990. P. 25.
338
Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ Π°ΡΡ ΠΈΠ²Π½ΠΎΠΉ Π²ΠΈΠ΄Π΅Π·Π°ΠΏΠΈΡΠΈ Π»Π΅ΠΊΡΠΈΠΈ Π‘ΡΠ΅Π»Π°ΡΠΊΠ° "ΠΠ΅ΡΡΡ Π½Π° ΡΠ°ΡΡΡΠΎΡΠ½ΠΈΠΈ / Π£ΡΡΠ°ΡΠ΅Π²ΡΠΈΠ΅ ΠΆΠ΅Π»Π°Π½ΠΈΡ" Π²: Remote Gestures / Obsolete Desires // Kitchen Center of Video, Music, Dance, Performance, Film and Literature. New York. March 9. 1993.
339
Marshall MacLuhan and Quentin Fiore. The Medium Is the Massage: An Inventory of Effects. New York. 1967. P. 41.
340
Stelark. Strategies and Trajectories / Obsolete Body / Suspentions / Stelarc. Davis. 1984. P. 76.
341
J. E. Cirlot. A Dictionary of Symbols. New York. 1971. P. 199.
342
John Sirley. SF Alternatives, Part One: Stelarc and the New Reality / ScienceFiction Eye 1. β 2 (August 1987). P. 57. P. 61.
343
Ibid. P. 59.
344
Stelarc. Beyond the Body: Amplified Body, Laser Eyes & Third Hand. ΠΠ΅Π΄Π°ΡΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ ΡΡΠ°ΡΡΡ, ΡΠΎΠΏΡΠΎΠ²ΠΎΠΆΠ΄Π°Π²ΡΠ°Ρ ΠΏΠ΅ΡΡΠΎΡΠΌΠ°Π½Ρ Π‘ΡΠ΅Π»Π°ΡΠΊΠ° Π² Yokohama International School (Π―ΠΏΠΎΠ½ΠΈΡ).
345
Π‘ΡΠ΅Π»Π°ΡΠΊ. ΠΡΠ΅ΡΡ-ΡΠ΅Π»ΠΈΠ· ΠΊ ΠΏΠ΅ΡΡΠΎΡΠΌΠ°Π½ΡΡ ΠΠ΅ΡΡΡ Π½Π° ΡΠ°ΡΡΡΠΎΡΠ½ΠΈΠΈ / Π£ΡΡΠ°ΡΠ΅Π²ΡΠΈΠ΅ ΠΆΠ΅Π»Π°Π½ΠΈΡ: Π°ΠΊΡΠΈΡ Ρ "ΠΡΠΎΠΏΡΡΠ΅Π½Π½ΡΠΌ ΡΠ΅ΡΠ΅Π· ΡΡΠΈΠ»ΠΈΡΠ΅Π»Ρ ΡΠ΅Π»ΠΎΠΌ", "ΠΠ΅ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ»ΡΠ½ΠΎ Π΄Π²ΠΈΠ³Π°ΡΡΠ΅ΠΉΡΡ ΡΡΠΊΠΎΠΉ" ΠΈ "Π’ΡΠ΅ΡΡΠ΅ΠΉ ΠΊΠΈΡΡΡΡ" Π²: Remote Gestures / Obsolete Desires: Event for Amplified Body, Involuntary Arm and Third Hand // Kitchen Center of Video, Music, Dance, Performance, Film and Literature. New York. March 12 and 13. 1993
346
Simon Bainbridge. The Body Is Obsolet / The Crack. β 30 (December 1991). P. 75.
347
Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Linda Frye Burnham. Performance Art in Southern California: An Overview // Performance Anthology: Sourcebook for a Decade of California Performance Art. San Francisco. 1980. P. 399.
348
Thomas McEvilly. Redirecting the Gaze / Making Their Marks: Women Artists Move into the Mainstream, 1970-85. New York. 1989. P. 193.
349
Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Ibid. P. 134.
350
ΠΠ½ΡΠ΅ΡΠ²ΡΡ Π²: Re/Search 13: Angry Women. San Francisco. 1991. P. 77.
351
Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Paul McCarthy. The Body Obsolet / High Performance. β 24 (1983). P. 18.
352
Marshall MacLuhan. Interview / Playboy. March 1969. P. 74.
353
Marshall McLuhan and Quentin Fiore. Op Cit. Pp. 26-39.
354
Marshall McLuhan. Understanding Media: The Extensions of Man. New York. 1964. P. 52.
355
Ibid. P. 53.
356
Stelarc. Prosthetics, Robotics and Remote Existance: Postevolutionary Strategies / Leonardo 24. β 5 (1991). P. 591. P. 594.
357
Stelarc. Redesigning the Human Body. Π‘ΡΠ°ΡΡΡ, ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½Π½Π°Ρ Π½Π° ΠΊΠΎΠ½ΡΠ΅ΡΠ΅Π½ΡΠΈΠΈ, ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π½ΠΎΠΉ Π΄ΠΈΠ·Π°ΠΉΠ½Ρ, Π‘ΡΡΠ½ΡΠΎΡΠ΄ΡΠΊΠΎΠ³ΠΎ Π£Π½ΠΈΠ²Π΅ΡΡΠΈΡΠ΅ΡΠ° 21-23 ΠΈΡΠ»Ρ 1983 Π³ΠΎΠ΄Π°.
358
Stelarc. Prosthetics, Robotics and Remote Existance: Postevolutionary Strategies / Leonardo 24. β 5 (1991). P. 591.
359
Ibid.
360
Stelarc. Redesigning the Body / Whole Earth Review. Summer 1989. P. 21.
361
Ibid.
362
Stelarc. Prosthetics, Robotics and Remote Existance: Postevolutionary Strategies / Leonardo 24. β 5 (1991). P. 594.
363
Ibid. P. 593.
364
Bruce Sterling. Cicada Queen / Crystal Express. New York. 1990. P. 76.
365
Stelarc. Π€Π°ΠΊΡ Π°Π²ΡΠΎΡΡ ΠΊΠ½ΠΈΠ³ΠΈ, Π΄Π°ΡΠΈΡΡΠ΅ΠΌΡΠΉ 1 Π΄Π΅ΠΊΠ°Π±ΡΡ 1992 Π³ΠΎΠ΄Π°.
366
Stelarc. Prosthetics, Robotics and Remote Existance: Postevolutionary Strategies / Leonardo 24. β 5 (1991). P. 594.
367
Stelarc. ΠΠΈΠ΄Π΅ΠΎΠ·Π°ΠΏΠΈΡΡ Π»Π΅ΠΊΡΠΈΠΈ Π² "ΠΡΡ Π½Π΅" 9 ΠΌΠ°ΡΡΠ° 1993 Π³ΠΎΠ΄Π°.
368
Marshall McLuhan. Playboy Interview / Playboy. March 1969. P. 66; Stelarc. Prosthetics, Robotics and Remote Existance: Postevolutionary Strategies / Leonardo 24. β 5 (1991). P. 594.
369
Stelarc. Ibid. P. 594.
370
Marshall McLuhan. The Gadget Lover: Narcissus as Narcosis / Understanding Media: The Extensions of Man. New York. 1964. P. 56.
371
Stelarc. Ibid. P. 593.
372
Stelarc. Redesigning the Body / Whole Earth Review. Summer 1989. P. 21.
373
Michel Foucault. Discipline and Punish: The Birth of the Prison. New York. 1979. P. 136.
374
Stelarc. Prosthetics, Robotics and Remote Existance: Postevolutionary Strategies / Leonardo 24. β 5 (1991). P. 594.
375
ΠΡΠ΅ ΡΠΈΡΠ°ΡΡ ΠΈΠ· ΡΡΠΎΠ³ΠΎ Π°Π±Π·Π°ΡΠ° ΠΏΡΠΈΠ²ΠΎΠ΄ΡΡΡΡ ΠΏΠΎ ΡΠ°ΠΊΡΠΈΠΌΠΈΠ»ΡΠ½ΠΎΠΌΡ ΡΠΎΠΎΠ±ΡΠ΅Π½ΠΈΡ Π‘ΡΠ΅ΡΠ»Π°ΠΊΠ° ΠΊ Π°Π²ΡΠΎΡ ΠΊΠ½ΠΈΠ³ΠΈ ΠΎΡ 1 Π΄Π΅ΠΊΠ°Π±ΡΡ 1993 Π³ΠΎΠ΄Π°.
376
Ibid.
377
Claudia Springer. Op. Cit. P. 714.
378
Stelarc. The Myth of Information / Obsolete Body / Suspentions / Stelarc. Davis. 1984. P. 24.
379
Stelarc. Detached Breath / Spinning Retina // High Performance. Nos. 41-42 (spring-summer 1988). P. 70.
380
Kristine Ambrosia, Joseph Lanz. Fakir Musafar Interview/ Apocalypse Culture. New York. 1987. P. 111.
381
Ibid. P. 114.
382
Stelarc. Triggering an Evolutionary Dialectic / Obsolete Body / Suspentions / Stelarc. Davis. 1984. P. 52. Marshall McLuhan. Understanding Media: The Extensions of Man. New York. 1964. P. 19.
383
Obsolete Body / Suspentions / Stelarc. Davis. 1984. P. 71.
384
Marshall McLuhan. Playboy Interview / Playboy. March 1969. P. 59.
385
Marshall McLuhan and Quentin Fiore. Op. Cit. P. 63. P. 114.
386
Stelarc. Π€Π°ΠΊΡ Π°Π²ΡΠΎΡΡ ΠΊΠ½ΠΈΠ³ΠΈ ΠΎΡ 1 Π΄Π΅ΠΊΠ°Π±ΡΡ 1993 Π³ΠΎΠ΄Π°.
387
Mircea Eliade. The Sacred & the Profane: The Nature of Religion. New York. 1959. P. 207.
388
Stelarc. Prosthetics, Robotics and Remote Existance: Postevolutionary Strategies / Leonardo 24. β 5 (1991). P. 591. Mircea Eliade. Op. Cit. Pp. 118-119.
389
Ronald Barthes. Mythologies. New York. 1972. P. 72.