Π§ΠΈΡΠ°ΡΡ ΠΎΠ½Π»Π°ΠΉΠ½ Β«Π‘ΠΊΠΎΡΠΎΡΡΡ ΠΎΡΠ²ΠΎΠ±ΠΎΠΆΠ΄Π΅Π½ΠΈΡ: ΠΊΠΈΠ±Π΅ΡΠΊΡΠ»ΡΡΡΡΠ° Π½Π° ΡΡΠ±Π΅ΠΆΠ΅ Π²Π΅ΠΊΠΎΠ²Β». Π‘ΡΡΠ°Π½ΠΈΡΠ° 94
ΠΠ²ΡΠΎΡ ΠΠ°ΡΠΊ ΠΠ΅ΡΠΈ
208
The Downward Spiral (Nothing / TVT / Interscope, 1994).
209
Ibid.
210
Ibid.
211
Pretty Hate Machine (TVT, 1989).
212
ΠΡΠ΅ΡΡ-ΡΠ΅Π»ΠΈΠ· ΠΊ Happiness in Slavery Π±ΡΠ» Π²ΡΠΏΡΡΠ΅Π½ PR-Π°Π³Π΅Π½ΡΡΡΠ²ΠΎΠΌ Formula Artist Development & Public Relations. Π‘Π°ΠΌ ΠΊΠ»ΠΈΠΏ ΡΠ΅Π³ΠΎΠ΄Π½Ρ Π΄ΠΎΡΡΡΠΏΠ΅Π½ Π»ΠΈΡΡ Π² ΠΏΠΈΡΠ°ΡΡΠΊΠΈΡ Π²Π΅ΡΡΠΈΡΡ , Ρ ΠΎΠ΄ΡΡΠΈΡ ΡΡΠ΅Π΄ΠΈ ΡΠ°Π½Π°ΡΠΎΠ² Π³ΡΡΠΏΠΏΡ. ΠΠ΅ ΠΈΡΠΊΠ»ΡΡΠ΅Π½ΠΎ, ΠΎΠ΄Π½Π°ΠΊΠΎ, ΡΡΠΎ ΠΎΠ½ Π±ΡΠ΄Π΅Ρ Π²ΠΊΠ»ΡΡΠ΅Π½ Π² Π±ΡΠ΄ΡΡΡΡ Π²ΠΈΠ΄Π΅ΠΎΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΡ ΠΊΠ»ΠΈΠΏΠΎΠ² NIN.
213
Broken (TVT / Interscope, 1992).
214
Ibid.
215
Georges Bataille. Sacrificial Mutilation and the Severed Ear of Vincent Van Gogh / Visions of Excess: Selected Writings of Georges Bataille. Minneapolis. 1985. P. 70.
216
Moon Unit Zappa. Trent Reznor: The Voice of Reason / Raygun. June/July 1994.
217
Samuel Butler. Erewhon. New York. 1985. P. 206.
218
Broken (TVT / Interscope, 1992).
219
Richard Kadrey, Larry McCaffery. Op Cit. P. 23.
220
William Gibson. Johnny Mnemonic / Burning Chrome. Op. Cit. P. 5. (Π¦ΠΈΡ. Π² ΠΏΠ΅ΡΠ΅Π²ΠΎΠ΄Π΅ Π. ΠΡΠΎΠ΅Π²Π° ΠΈ Π. Π§Π΅ΡΡΠΊΠΎΠ²Π°.)
221
William Gibson. Neuromancer. New York. 1984.P. 184.
222
Richard Kadrey, Larry McCaffery. Op Cit. P. 265.
223
Richard Kadrey, Larry McCaffery. Op Cit. P. 12.
224
Bruce Sterling. Mirrowshades: The Cyberpunk Anthology. New York. 1988. P. xiii.
225
Lewis Shinner. Inside the Movement: Past, Present, and Future / Fiction 2000: Cyberpunk and the Future Narrative. P. 21.
226
Rudy Rucker and Peter Lamborn Wilson. Introduction: Strange Attractor(s) / Semiotext(e) SF. Brooklyn. 1989. P. 13.
227
Jude Milhon. Coming In under the Radar / Mondo 2000. β 7 (fall 1989). P. 100.
228
Ibid.
229
Takayuki Tatsumi. Eye to Eye: An Interview with Bruce Sterling / Science Fiction Eye 1. β 1 (1987). P. 33.
230
Ibid. P. 35.
231
John Shirley. About Fragments of an Exploded Heart / ΡΡΠΊΠΎΠΏΠΈΡΡ The Exploded Heart. Asheville. 1994.
232
Mickael Moorcock. The Final Programme / The Cornelius Chronicles. New York. 1977. P. 65.
233
Mickael Moorcock. A Cure of Cancer / The Cornelius Chronicles. New York. 1977. P. 414-415.
234
Takayuki Tatsumi. Op. Cit. P. 36.
235
John Shirley. Transmaniacon. New York. 1979. P. 15.
236
Ibid. P. 14, P. 33.
237
Ibid. 33.
238
Ibid. 34.
239
Ibid. 33.
240
Bruce Sterling. Mirrowshades: The Cyberpunk Antology. New York, 1988. P. XII.
241
Ibid. P. XIII.
242
Ken Tucker. Rock in the Video Age / Rock of Ages: The Rolling Stone History of Rock&Roll. New York. 1986. P. 595.
243
Mark Crispin Miller. Where All the Flowers Went / Boxed In: The Culture of TV. Evanston. 1989. P. 174.
244
Andrew Goodwin. Dancing in the Distraction Factory: Music Television and Popular Culture. Minneapolis. 1992. P. 185.
245
Mark Crispin Miller. Op. Cit. P. 181.
246
Mark Crispin Miller. ΠΠΎΡΠ»Π΅ΡΠ»ΠΎΠ²ΠΈΠ΅ ΠΊ Rock Music: A Success Story / Boxed In: The Culture of TV. Evanston. 1989. P. 196.
247
Mark Crispin Miller. Where All the Flowers Went / Boxed In: The Culture of TV. Evanston. 1989. P. 181.
248
Mark Crispin Miller. ΠΠΎΡΠ»Π΅ΡΠ»ΠΎΠ²ΠΈΠ΅ ΠΊ Rock Music: A Success Story / Boxed In: The Culture of TV. Evanston. 1989. P. 200.
249
Andrew Goodwin. Op. Cit. P. 154-155.
250
Bruce Sterling. Mirrowshades: The Cyberpunk Antology. New York, 1988. P. XII.
251
Pat Cadigan. Rock On / Mirrowshades: The Cyberpunk Antology. New York, 1988. P. 42
252
Ibid. P. 39.
253
Ibid. Pp. 36, 37, 42.
254
Ibid. P. 42.
255
Richard Kadrey, Larry McCaffery. Op Cit. P. 6.
256
Anthony DeCurtis. Present Tense: Rock & Roll and Culture. Durham. 1992. P. 5.
257
John Shirley. Freezone / Mirrowshades: The Cyberpunk Antology. New York, 1988. P. 148. ΠΡΡΠ°Π»ΡΠ½ΡΠ΅ ΡΠΈΡΠ°ΡΡ ΠΈΠ· ΡΡΠΎΠ³ΠΎ Π°Π±Π·Π°ΡΠ°: Ibid. P. 145.
258
Ibid. Pp. 145-146.
259
Ibid.
260
Ibid.
261
Ibid. P. 154.
262
Ibid. P. 157.
263
Ibid. P. 146.
264
Norman Spinrad. Little Heroes. New York. 1987. P. 4.
265
Ibid. P. 4. P. 7.
266
Ibid. P. 4.
267
Ibid. Π‘ΡΡΠ°Π½ΠΈΡΠ° Π±Π΅Π· Π½ΠΎΠΌΠ΅ΡΠ°.
268
Ibid. P. 7.
269
Ibid. P. 8.
270
Ibid. P. 11.
271
Bruce Sterling. Mirrowshades: The Cyberpunk Antology. New York, 1988. P. XIV.
272
Jon Savage. England's Dreaming: Anarchy, Sex Pistols, Punk, Punk Rock and Beyond. New Tork. 1992. P. 133.
273
Bruce Sterling. Mirrowshades: The Cyberpunk Antology. Pp. X-XI.
274
Andrew Goodwin. Op. Cit. P 31.
275
Norman Spinrad. Science Fiction in the Real World. Carbondale and Edwaedsville. 1990. Pp. 113-114.
276
Ibid. P.113.
277
Ibid. P. 116.
278
Π£ΠΈΠ»ΡΡΠΌ ΠΠΈΠ±ΡΠΎΠ½. ΠΠ½ΡΠ΅ΡΠ²ΡΡ Π’Π΅ΡΡΠΈ ΠΡΠΎΡΡΡ Π² ΡΡΠΈΡΠ΅ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΠΈ Fresh Air. National Public Radio. 31 Π°Π²Π³ΡΡΡΠ° 1993 Π³ΠΎΠ΄Π°.
279
ΠΡΠ° Π³Π»Π°Π²Π° ΡΠΎΠ΄ΠΈΠ»Π°ΡΡ ΠΈΠ· ΠΎΡΠ΅ΡΠΊΠ° "ΠΡΠΊΡΡΡΡΠ²ΠΎ Π³ΡΠΎΡ ΠΎΡΠ°ΡΡ, ΡΡΠ΅ΡΠ°ΡΡ ΠΈ ΡΠΈΠΏΠ΅ΡΡ", ΠΎΠΏΡΠ±Π»ΠΈΠΊΠΎΠ²Π°Π½Π½ΠΎΠ³ΠΎ Π² The New York Times: The Art of Crash, Hum and Hiss / The New York Times. March 15. 1992. P. 12.
280
Rob Hafernik. Robofest II: Austin, Texas / Mondo 2000. β 5. P. 18.
281
Glenn Rifkin. Making Robot Gladiators / The New York Times. July 31. 1994. P. 8F.
282
Re/Search 6/7: Industrial Culture Handbook. San Francisco. 1983. Pp. 28-29.
283
K.W. Jeter. Dr Adder. New York. 1988. P. 70.
284
Marshall McLuhan. The Gadget Lover: Narcissus as Narcosis / Understanding Media: The Extensions of Man. New York. 1964. Pp. 55-56.
285
Ibid. P. 56.
286
Manuel De Landa. War in the Age of Intelligent Machines. New York. 1991. P. 3.
287
Re/Search 11: Pranks! San Francisco. 1987. P. 13.
288
Ibid.
289
Ibid. Pp. 13-14.
290
Π‘ΡΠΎΠΈΡ ΠΎΡΠΌΠ΅ΡΠΈΡΡ, ΡΡΠΎ Π΄Π»Ρ "ΡΡΠ°Π½ΠΊΠ΅Π½ΡΡΠ΅ΠΉΠ½ΠΎΠ²ΡΡ " ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ ΠΈΡΠΊΡΡΡΡΠ²Π° Π²ΡΠΎΠ΄Π΅ ΡΠΎΠΉ ΠΆΠ΅ "Π§ΡΡΠ΅Π»ΡΠ½ΠΎΠΉ ΠΊΠ°ΡΡΡΠ΅Π»ΠΈ" ΠΈΠ»ΠΈ "ΠΠΈΠ³Π»ΠΈ-Π£ΠΈΠ³Π»ΠΈ" ΠΌΠ΅ΡΡΠ²ΡΡ ΠΆΠΈΠ²ΠΎΡΠ½ΡΡ Π·Π°ΠΊΡΠΏΠ°Π»ΠΈ Π½Π° ΡΠΊΠΎΡΠΎΠ±ΠΎΠΉΠ½ΡΡ ΠΈΠ»ΠΈ Π±ΡΠ°Π»ΠΈ ΡΠ΅Ρ , ΡΡΠΎ ΠΏΠΎΠΏΠ°Π΄Π°Π»ΠΈ ΠΏΠΎΠ΄ ΠΏΠΎΠ΅Π·Π΄ Π² ΠΆΠ΅Π»Π΅Π·Π½ΠΎΠ΄ΠΎΡΠΎΠΆΠ½ΡΡ ΡΡΠ½Π½Π΅Π»ΡΡ . "Π§ΡΡΠ΅Π»ΡΠ½Π°Ρ ΠΊΠ°ΡΡΡΠ΅Π»Ρ", Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ, ΡΠΎΠ΄ΠΈΠ»Π°ΡΡ ΠΏΠΎΡΠ»Π΅ ΡΠΎΠ³ΠΎ, ΠΊΠ°ΠΊ ΠΎΠ΄ΠΈΠ½ ΠΎΠ±Π΄ΠΎΠ»Π±Π°Π²ΡΠΈΠΉΡΡ Π°ΠΌΡΠ΅ΡΠ°ΠΌΠΈΠ½Π°ΠΌΠΈ ΠΏΡΠΈΡΡΠ΅Π»Ρ ΡΠ°ΡΡΠΊΠ°Π·Π°Π» ΠΠΎΠ»Π°ΠΉΠ½Ρ ΠΈ Π₯Π΅ΠΊΠ΅ΡΡΡ ΠΎ Π½Π΅ΠΊΠΎΠΌ Π·Π»ΠΎΠ²Π΅ΡΠ΅ΠΌ ΠΎΡΡΠ΅Π·ΠΊΠ΅ ΡΡΠ½Π½Π΅Π»Ρ Π½Π° Π’ΠΈΡ ΠΎΠΎΠΊΠ΅Π°Π½ΡΠΊΠΎΠΉ ΠΆΠ΅Π»Π΅Π·Π½ΠΎΠ΄ΠΎΡΠΎΠΆΠ½ΠΎΠΉ ΠΌΠ°Π³ΠΈΡΡΡΠ°Π»ΠΈ, Π½Π° ΠΊΠΎΡΠΎΡΡΠΉ ΠΎΠ½ Π½Π°ΡΠΊΠ½ΡΠ»ΡΡ Π²ΠΎ Π²ΡΠ΅ΠΌΡ ΡΠ²ΠΎΠΈΡ Π½ΠΎΡΠ½ΡΡ ΠΏΠΎΡ ΠΎΠΆΠ΄Π΅Π½ΠΈΠΉ. ΠΠΎΠ»Π°ΠΉΠ½ ΠΈ Π₯Π΅ΠΊΠ΅ΡΡ ΡΠ΅ΡΠΈΠ»ΠΈ ΠΏΡΠΎΠ²Π΅ΡΠΈΡΡ, ΠΏΡΠ°Π²Π΄Π° Π»ΠΈ ΡΡΠΎ, ΡΡ ΠΎΠ΄ΠΈΠ»ΠΈ ΡΡΠ΄Π° ΠΈ Π²Π΅ΡΠ½ΡΠ»ΠΈΡΡ ΠΎΡΠ΅Π½Ρ Π²ΠΎΠΎΠ΄ΡΡΠ΅Π²Π»Π΅Π½Π½ΡΠ΅ Ρ ΠΏΠΎΠ»Π½ΡΠΌ ΠΌΠ΅ΡΠΊΠΎΠΌ ΠΌΡΠΌΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΠΆΠΈΠ²ΠΎΡΠ½ΡΡ . ΠΡΠ³Π°Π½ΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠΎΠ±ΠΎΡΡ SRL Π·Π°ΠΏΠ΅ΡΠ΅ΡΠ»Π΅Π½Ρ Π²ΠΌΠ΅ΡΡΠ΅ ΡΠΎ ΡΠ²ΠΎΠΈΠΌΠΈ Ρ Π΅Π²ΠΈ-ΠΌΠ΅ΡΠ°Π»Π»ΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ ΡΠΎΠ±ΡΠ°ΡΡΡΠΌΠΈ Π½Π° ΠΌΠ½ΠΎΠ³ΠΎΡΠΈΡΠ»Π΅Π½Π½ΡΡ Π²ΠΈΠ΄Π΅ΠΎΠΏΠ»Π΅Π½ΠΊΠ°Ρ , ΠΊΠΎΡΠΎΡΡΠ΅ ΠΌΠΎΠΆΠ½ΠΎ ΠΏΡΠΈΠΎΠ±ΡΠ΅ΡΡΠΈ Ρ SRL ΠΏΠΎ Π°Π΄ΡΠ΅ΡΡ: SRL, 1458-C San Bruno Ave., San Francisco, Calif. 9411.
291
Howard Rheingold. Virtual Reality. New York. 1991. Pp. 254-255.
292
John A. Barry. Technobabble. Cambridge, Mass. 1991.P. 185.
293
John R. MacArthur. Second Front: Censorship and Propaganda in the Gulf War. New York. 1992. P. 161.
294
Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Judith A. Adams / The American Amusement Park Industry: A History of Technology and Thrills. Boston. 1991. P. 93.
295
Howard Millman. Risky Buisiness / Compute. July 1991. P. 88.
296
Margaret Cheney. Tesla: Man Out of Time. New York. 1981. P. 129. Π‘ΠΌ. ΡΠ°ΠΊΠΆΠ΅ ΠΈΠ»Π»ΡΡΡΡΠ°ΡΠΈΠΈ.
297
Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Frank Barnaby / The Automated Batterfield. New York. 1986. P. 1.
298
Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Lewis Yablonsky. Robopaths: People as Machines. Baltimore. 1972. P. XII.
299
George Bataille. Erotism: Death and Sensuality. San Francisco. 1986. P. 15.
300
Claudia Springer. Sex, Memories and Angry Women / Flame Wars: The Discourse of Cyberculture // South Atlantic Quarterly. V. 92. N. 4 (fall 1993). P. 718.
301
William Burroughs. The Ticket That Exploded. New York. 1968. P. 52.
302
Ibid. P. 53.
303
George Bataille. Op. Cit. P. 18.
304
George Bataille. Sacrificial Mutilation and the Severed Ear of Vincent Van Gogh / Visions of Excess: Selected Writings of George Bataille. Minneapolis. 1985. P. 70.
305
Seymour Melman. The Juggernaut: Military State Capitalism / the Nation 252. β 19 (May 20, 1991). P. 666.
306
Kathe Burkhart. Extremely Cool Practices. High Performance. β 32. Pp. 66-67.
307