Π§ΠΈΡΠ°ΡΡ ΠΎΠ½Π»Π°ΠΉΠ½ Β«Π‘ΠΊΠΎΡΠΎΡΡΡ ΠΎΡΠ²ΠΎΠ±ΠΎΠΆΠ΄Π΅Π½ΠΈΡ: ΠΊΠΈΠ±Π΅ΡΠΊΡΠ»ΡΡΡΡΠ° Π½Π° ΡΡΠ±Π΅ΠΆΠ΅ Π²Π΅ΠΊΠΎΠ²Β». Π‘ΡΡΠ°Π½ΠΈΡΠ° 100
ΠΠ²ΡΠΎΡ ΠΠ°ΡΠΊ ΠΠ΅ΡΠΈ
801
Grant Fjermedal. Op. Cit. P. 202.
802
Π¦ΠΈΡΠ°ΡΠ° ΠΏΠΎ: Camille Paglia. Sexual Persone: Art and Decadence from Nefertiti to Emily Dickinson. New York. 1991. P. 17.
803
O. B. Hardison Jr. Disappearing through the Skylight: Culture and Technology in the Twentieth Century. New York. 1989. P. 347.
804
Ibid.
805
Charles Platt. The Silicon Man. New York. 1991. P. 232.
806
William H. Calvin. The Throwing Madonna: Essays on the Brain. New York. 1991. P. 59.
807
Ibid. P. XVII.
808
Erich Harth. The Creative Loop: How the Brain Makes a Mind. Reading. 1993. P. 131.
809
David Ross. Op. Cit. P. 15.
810
Richard Restak. The Brain Has a Mind of Its Own: Insights from a Practicing Neurologist. New York. P. 1991. P. 119.
811
David Ross. Op. Cit. P. 16.
812
Pat Cadigan. Synners. New York. 1991. P. 406.