122. Π’Π°ΡΡ-Π½ΠΎ ΡΡΠ΄Π·ΠΎΠΊΡ ΠΠ±Π°ΡΠ°ΠΊΠΈ-ΠΊΡΠ½, Π’ΠΎΡΠΌΠ°-ΠΊΡΠ½ (ΠΠ±ΡΡΠ°ΠΈ ΠΈ ΠΎΠ±ΡΡΠ΄Ρ, ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ Π²ΡΡΠ°Π΄ΠΊΠΎΠΉ ΡΠΈΡΠΎΠ²ΠΎΠΉ ΡΠ°ΡΡΠ°Π΄Ρ Π² ΠΏΡΠ΅ΡΠ΅ΠΊΡΡΡΠ°Ρ ΠΠ±Π°ΡΠ°ΠΊΠΈ ΠΈ Π’ΠΎΡΠΌΠ°). [Π/ΠΌ.], 1963.
123. Π’ΠΎΠΊΠ΅ ΠΈΡΠΈ ΡΠΎ ΡΠ½Π½ΠΈΡΠΈ Π³Π°ΠΉΠ΄ΠΎ (ΠΠ°Π·Π°ΡΡ ΠΈ Ρ ΡΠ°ΠΌΠΎΠ²ΡΠ΅ Π΄Π½ΠΈ Π² Π’ΠΎΠΊΠΈΠΎ. ΠΡΡΠ΅Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ). Π’ΠΎΠΊΠΈΠΎ, 1982.
124. Π₯Π°Π³Π° Π₯ΠΈΠ΄ΡΠΎ. ΠΠΈΡ ΠΎΠ½-Π½ΠΎ ΠΌΠ°ΡΡΡΠΈ (Π―ΠΏΠΎΠ½ΡΠΊΠΈΠ΅ ΠΏΡΠ°Π·Π΄Π½ΠΈΠΊΠΈ). ΠΡΠ°ΠΊΠ°, 1965.
125. Π₯Π°ΡΠΌΠΈ Π―ΡΡΡΠ°ΠΊΠ°. ΠΠ΄Π·ΡΠΌΠΎ ΡΠ°ΠΉΠ΄Π·ΠΈΠΊΠΈ (ΠΡΠ°Π·Π΄Π½ΠΈΠΊΠΈ ΠΏΡΠΎΠ²ΠΈΠ½ΡΠΈΠΈ ΠΠ΄Π·ΡΠΌΠΎ). Π’ΠΎΠΊΠΈΠΎ, 1980.
126. Π₯ΠΈΠ³ΡΡΠΈ ΠΠΈΡΡΠΊΠΈ. ΠΠ°ΡΡΡΠΈ ΡΠΎ Π½ΠΈΡ ΠΎΠ½Π΄Π·ΠΈΠ½ (ΠΡΠ°Π·Π΄Π½ΠΈΠΊΠΈ ΠΈ ΡΠΏΠΎΠ½ΡΡ). Π’ΠΎΠΊΠΈΠΎ, 1978.
127. Π―Π½Π°Π³ΠΈΠ΄Π° ΠΡΠ½ΠΈΠΎ. ΠΡΠ½ΡΡΠΉ ΡΠ°ΠΉΡΠΈ ΡΡΠ΄Π·ΠΎΠΊΡ Π³ΠΎΠΈ (Π―ΠΏΠΎΠ½ΡΠΊΠΈΠ΅ ΠΏΡΠ°Π·Π΄Π½ΠΈΠΊΠΈ ΠΈ ΠΎΠ±ΡΡΠ΄Ρ. ΠΠ΅ΠΊΡΠΈΠΊΠΎ-ΡΡΠ½ΠΎΠ³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠ»ΠΎΠ²Π°ΡΡ). Π’ΠΎΠΊΠΈΠΎ, 1963.
128. Π―Π½Π°Π³ΠΈΠ΄Π° ΠΡΠ½ΠΈΠΎ. ΠΠΈΡ ΠΎΠ½-Π½ΠΎ ΠΌΠ°ΡΡΡΠΈ (Π―ΠΏΠΎΠ½ΡΠΊΠΈΠ΅ ΠΏΡΠ°Π·Π΄Π½ΠΈΠΊΠΈ). Π’ΠΎΠΊΠΈΠΎ, 1982.
ΠΠ° Π·Π°ΠΏΠ°Π΄Π½ΠΎΠ΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΈΡ ΡΠ·ΡΠΊΠ°Ρ
129. Hideo Haga. Japanese Festivals. Osaka, 1981.
130. Kodansha Encyclopedia of Japan. Tokyo, 1983.
131. Mock Joya. Things Japanese. Tokyo, 1961.
132. Noma Seiroku. The Arts of Japan. Tokyo, 1964.
133. Sakura. Japanese Cherry. Tokyo, 1934.
134. We Japanese. Yokohama, 1950.
135. Yanagida Kunio. Japanese Manners and Customs in the Meiji Era. Tokyo. 1957.
ΠΠ΅ΡΠΈΠΎΠ΄ΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΈΠ·Π΄Π°Π½ΠΈΡ
136. ΠΠ·ΠΈΡ ΠΈ ΠΡΡΠΈΠΊΠ° ΡΠ΅Π³ΠΎΠ΄Π½Ρ 144.
137. ΠΠ°ΡΠΎΠ΄Ρ ΠΠ·ΠΈΠΈ ΠΈ ΠΡΡΠΈΠΊΠΈ 145.
138. ΠΡΠ°Π²Π΄Π° 146.
139. ΠΠΊΠ°Ρ Π°ΡΠ° 147.
140. ΠΡΠ°Ρ ΠΈ ΡΠΈΠΌΠ±ΡΠ½ 148.
141. ΠΠΌΠΈΡΡΠΈ ΡΠΈΠΌΠ±ΡΠ½ 149.
142. ΠΠ°ΠΉΠ½ΠΈΡΠΈ ΡΠΈΠΌΠ±ΡΠ½
143. ΠΠΈΡ ΠΎΠ½ ΠΊΡΠΉΠ΄Π·Π°ΠΉ ΡΠΈΠΌΠ±ΡΠ½ 150.
Summary
S. Π. Markaryan, E. V. Molodyakova. Festivals in Japan. Festivals constitute an integral part of national life. They reflect, to a certain extent, the historical socio-economic and cultural traditions of the society. There is hardly any other country in the world which has so many festivals as Japan. Leafing through the Japanese calendar one can see that every day is marked with a festival or two.
Festivals are usually conducted in conformity with a fixed tradition. There are all kinds of shows, marches, music, singing, dancing, competitions and games. Festival trappings are rich and diverse.
The analysis of the most popular festivals vis-a-vis their origin and meaning suggests several major groups.
Primarily, these are the New Year festivities which just as in other countries of Southeast Asia are universally aknowledged to be festival number one. They are lasting for the whole of winter season. Many other festivals observed at the beginning of the year are linked with the New Year festival symbolizing a new life and work cycle.
A prominent place among Japanese festivals belongs to agricultural calendar festivities known for their ancient and rich rituals. They are primarily related to rice cultivation cycle. They may be celebrated by doing real work on fields or just by imitating it.
The unique feature of Oriental aesthetics β association between human life and natural cycle β gave rise to a number of festivals connected with contemplation of nature.
Many Japanese festivals are devoted to the children. Relevant festive occasions are designated for each age and sex, which is explained by specific attitude of adults to kids as their successors. In addition, children participate in the majority of festivals celebrated by adults.
Festivals and national history constitute a single whole. Most of the festivals are related to specific historic events, national or local. Many festivals often reflect a historical event which is acted by people on the streets. Sometimes there is a reverse relationship.
Festivals are transmitted to the next generation, acquire new features and adapt to new conditions.
The Japanese authorities support and develop national festivals because of their social importance.
ΠΡΠΈΠΌΠ΅ΡΠ°Π½ΠΈΡ
1
(ΠΠΈΠΎΠ½ β Π½Π°Π·Π²Π°Π½ΠΈΠ΅ ΠΊΠ²Π°ΡΡΠ°Π»Π° Π³ΠΎΡΠΎΠ΄Π°.)
2
Π₯Π°ΡΠΈΠΌΠ°ΠΊΠΈ β Π½Π°Π³ΠΎΠ»ΠΎΠ²Π½Π°Ρ ΠΏΠΎΠ²ΡΠ·ΠΊΠ° ΠΏΠΎΠ΄ ΡΠ»Π΅ΠΌ ΡΠΏΠΎΠ½ΡΠΊΠΎΠ³ΠΎ ΡΠ°ΠΌΡΡΠ°Ρ. ΠΠ½Π° ΠΈΠΌΠ΅Π»Π° Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅, Π½ΠΎ Π½ΠΎΡΠΈΠ»Π° ΠΈ ΡΠ°ΠΊΡΠ°Π»ΡΠ½ΡΠΉ Ρ Π°ΡΠ°ΠΊΡΠ΅Ρ, ΠΎΠ·Π½Π°ΡΠ°Ρ Π³ΠΎΡΠΎΠ²Π½ΠΎΡΡΡ ΠΊ ΠΏΠ΅ΡΠ΅Ρ ΠΎΠ΄Ρ ΠΎΡ ΠΎΠ±ΡΠ΄Π΅Π½Π½ΠΎΡΡΠΈ ΠΊ ΡΠ²ΡΡΠ΅Π½Π½ΠΎΡΡΠΈ. Π Π½Π°ΡΡΠΎΡΡΠ΅Π΅ Π²ΡΠ΅ΠΌΡ ΡΡΠΎ ΠΏΠΎΠ»ΠΎΡΠ΅Π½ΡΠ΅, ΠΊΠΎΡΠΎΡΠΎΠ΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅ΡΡΡ ΡΠ°Π±ΠΎΡΠΈΠΌΠΈ ΠΈ ΠΊΡΠ΅ΡΡΡΡΠ½Π°ΠΌΠΈ Π² ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ ΡΠ°Π±ΠΎΡΠ΅, ΡΡΠΎΠ±Ρ ΠΏΠΎΡ Π½Π΅ ΠΊΠ°ΠΏΠ°Π» Π½Π° Π³Π»Π°Π·Π°.
3
Π¦ΠΈΠΊΠ°Π΄Π° β Π²Π΅ΡΡΠΌΠ° Π»ΡΠ±ΠΈΠΌΠΎΠ΅ Π² ΡΡΡΠ°Π½Π΅ Π½Π°ΡΠ΅ΠΊΠΎΠΌΠΎΠ΅. Π‘ΡΡΠ΅ΡΡΠ²ΡΠ΅Ρ Π΄Π°ΠΆΠ΅ ΡΠΈΡΡΠ°Π» ΡΠ»ΡΡΠ°Π½ΠΈΡ "ΠΏΠ΅Π½ΠΈΡ" ΡΠΈΠΊΠ°Π΄.
4
ΠΠΎΠΊΡ ΠΈ ΡΠΎ β ΠΌΠ΅ΡΡ ΡΠΌΠΊΠΎΡΡΠΈ. 1 ΠΊΠΎΠΊΡ = 180,4 Π»; 1 ΡΠΎ = 0,1 ΠΊΠΎΠΊΡ.
5
ΠΠ΄ΠΈΠ½ ΠΈΠ· Π³Π»Π°Π²Π½ΡΡ Ρ ΡΠ°ΠΌΠΎΠ² Π³. ΠΠ°ΡΠ°, Π³Π΄Π΅ Π½Π°Ρ ΠΎΠ΄ΠΈΡΡΡ ΡΠ°ΠΌΠ°Ρ Π±ΠΎΠ»ΡΡΠ°Ρ ΡΡΠ°ΡΡΡ ΠΡΠ΄Π΄Ρ; ΠΏΠΎΡΡΡΠΎΠ΅Π½ Π² 745 Π³.
6
ΠΠΎΡΠΊΠΎΠ»ΡΠΊΡ ΠΏΡΠ°Π·Π΄Π½ΠΈΠΊ ΠΎΡΠΌΠ΅ΡΠ°Π»ΡΡ Π² ΡΠΎ Π²ΡΠ΅ΠΌΡ ΠΏΠΎ Π»ΡΠ½Π½ΠΎΠΌΡ ΠΊΠ°Π»Π΅Π½Π΄Π°ΡΡ, ΡΠΎ ΠΎΠ½ ΠΏΡΠΈΡ ΠΎΠ΄ΠΈΠ»ΡΡ ΡΠΆΠ΅ Π½Π° ΠΎΡΠ΅Π½Ρ.
7
ΠΠ°ΡΠΈΠ½ΠΊΠΎ β Π²Π΅ΡΡΠΈΠΊΠ°Π»ΡΠ½ΠΎ ΡΡΠΎΡΡΠΈΠΉ Π·Π°ΡΡΠ΅ΠΊΠ»Π΅Π½Π½ΡΠΉ ΠΈΠ³ΡΠ°Π»ΡΠ½ΡΠΉ Π°Π²ΡΠΎΠΌΠ°Ρ, Π³Π΄Π΅ ΠΏΠΎ ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΡΡΠ°Π΅ΠΊΡΠΎΡΠΈΠΈ, ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΠΎΠΉ Π²Π±ΠΈΡΡΠΌΠΈ Π² ΠΏΠ°Π½Π΅Π»Ρ Π³Π²ΠΎΠ·Π΄ΠΈΠΊΠ°ΠΌΠΈ, ΠΎΡ ΠΠ°ΠΆΠ°ΡΠΈΡ ΡΡΡΠΊΠΈ Π΄Π²ΠΈΠ³Π°Π΅ΡΡΡ ΠΌΠ΅ΡΠ°Π»Π»ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠ°ΡΠΈΠΊ. ΠΠ°ΠΏΠΎΠΌΠΈΠ½Π°Π΅Ρ ΠΈΠ³ΡΡ Π² Π±ΠΈΠ»Π»ΠΈΠ°ΡΠ΄, Π³Π΄Π΅ ΡΡΠΏΠ΅Ρ ΡΠ°ΠΊΠΆΠ΅ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ ΡΠΈΠ»Ρ ΠΈ Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½ΠΈΡ ΡΠ΄Π°ΡΠ°.
8
Π ΡΠΏΠΎΠ½ΡΠΊΠΎΠΌ ΡΠ·ΡΠΊΠ΅ ΠΊΠ°ΠΆΠ΄ΡΠΉ ΠΈΠ΅ΡΠΎΠ³Π»ΠΈΡ ΠΈΠΌΠ΅Π΅Ρ Π΄Π²Π° ΡΡΠ΅Π½ΠΈΡ.