Π§ΠΈΡ‚Π°ΠΉΡ‚Π΅ ΠΊΠ½ΠΈΠ³ΠΈ ΠΎΠ½Π»Π°ΠΉΠ½ Π½Π° Bookidrom.ru! БСсплатныС ΠΊΠ½ΠΈΠ³ΠΈ Π² ΠΎΠ΄Π½ΠΎΠΌ ΠΊΠ»ΠΈΠΊΠ΅

Π§ΠΈΡ‚Π°Ρ‚ΡŒ ΠΎΠ½Π»Π°ΠΉΠ½ Β«ΠŸΡ€Π°Π·Π΄Π½ΠΈΠΊΠΈ Π² Π―ΠΏΠΎΠ½ΠΈΠΈ: ΠΎΠ±Ρ‹Ρ‡Π°ΠΈ, обряды, ΡΠΎΡ†ΠΈΠ°Π»ΡŒΠ½Ρ‹Π΅ Ρ„ΡƒΠ½ΠΊΡ†ΠΈΠΈΒ». Π‘Ρ‚Ρ€Π°Π½ΠΈΡ†Π° 73

Автор Π‘Π΅Π΄Π° ΠœΠ°Ρ€ΠΊΠ°Ρ€ΡŒΡΠ½

122. Π’ауэ-Π½ΠΎ ΡΡŽΠ΄Π·ΠΎΠΊΡƒ Π˜Π±Π°Ρ€Π°ΠΊΠΈ-кэн, Вояма-кэн (ΠžΠ±Ρ‹Ρ‡Π°ΠΈ ΠΈ обряды, связанныС с высадкой рисовой рассады Π² ΠΏΡ€Π΅Ρ„Π΅ΠΊΡ‚ΡƒΡ€Π°Ρ… Π˜Π±Π°Ρ€Π°ΠΊΠΈ ΠΈ Вояма). [Π‘/ΠΌ.], 1963.

123. Π’ΠΎΠΊΠ΅ ΠΈΡ‚ΠΈ Ρ‚ΠΎ эннити Π³Π°ΠΉΠ΄ΠΎ (Π‘Π°Π·Π°Ρ€Ρ‹ ΠΈ Ρ…Ρ€Π°ΠΌΠΎΠ²Ρ‹Π΅ Π΄Π½ΠΈ Π² Π’ΠΎΠΊΠΈΠΎ. ΠŸΡƒΡ‚Π΅Π²ΠΎΠ΄ΠΈΡ‚Π΅Π»ΡŒ). Π’ΠΎΠΊΠΈΠΎ, 1982.

124. Π₯Π°Π³Π° Π₯идэо. Нихон-Π½ΠΎ ΠΌΠ°Ρ†ΡƒΡ€ΠΈ (ЯпонскиС ΠΏΡ€Π°Π·Π΄Π½ΠΈΠΊΠΈ). Осака, 1965.

125. Π₯аями Ясутака. Π˜Π΄Π·ΡƒΠΌΠΎ сайдзики (ΠŸΡ€Π°Π·Π΄Π½ΠΈΠΊΠΈ ΠΏΡ€ΠΎΠ²ΠΈΠ½Ρ†ΠΈΠΈ Π˜Π΄Π·ΡƒΠΌΠΎ). Π’ΠΎΠΊΠΈΠΎ, 1980.

126. Π₯ΠΈΠ³ΡƒΡ‚ΠΈ ΠšΠΈΡ‘ΡŽΠΊΠΈ. ΠœΠ°Ρ†ΡƒΡ€ΠΈ Ρ‚ΠΎ Π½ΠΈΡ…ΠΎΠ½Π΄Π·ΠΈΠ½ (ΠŸΡ€Π°Π·Π΄Π½ΠΈΠΊΠΈ ΠΈ японцы). Π’ΠΎΠΊΠΈΠΎ, 1978.

127. Π―Π½Π°Π³ΠΈΠ΄Π° ΠšΡƒΠ½ΠΈΠΎ. Π‘ΡƒΠ½Ρ€ΡƒΠΉ сайси ΡΡŽΠ΄Π·ΠΎΠΊΡƒ Π³ΠΎΠΈ (ЯпонскиС ΠΏΡ€Π°Π·Π΄Π½ΠΈΠΊΠΈ ΠΈ обряды. ЛСксико-этнографичСский ΡΠ»ΠΎΠ²Π°Ρ€ΡŒ). Π’ΠΎΠΊΠΈΠΎ, 1963.

128. Π―Π½Π°Π³ΠΈΠ΄Π° ΠšΡƒΠ½ΠΈΠΎ. Нихон-Π½ΠΎ ΠΌΠ°Ρ†ΡƒΡ€ΠΈ (ЯпонскиС ΠΏΡ€Π°Π·Π΄Π½ΠΈΠΊΠΈ). Π’ΠΎΠΊΠΈΠΎ, 1982.

На западноСвропСйских языках

129. Hideo Haga. Japanese Festivals. Osaka, 1981.

130. Kodansha Encyclopedia of Japan. Tokyo, 1983.

131. Mock Joya. Things Japanese. Tokyo, 1961.

132. Noma Seiroku. The Arts of Japan. Tokyo, 1964.

133. Sakura. Japanese Cherry. Tokyo, 1934.

134. We Japanese. Yokohama, 1950.

135. Yanagida Kunio. Japanese Manners and Customs in the Meiji Era. Tokyo. 1957.

ΠŸΠ΅Ρ€ΠΈΠΎΠ΄ΠΈΡ‡Π΅ΡΠΊΠΈΠ΅ издания

136. ΠΠ·ΠΈΡ ΠΈ Африка сСгодня 144.

137. ΠΠ°Ρ€ΠΎΠ΄Ρ‹ Азии ΠΈ Африки 145.

138. ΠŸΡ€Π°Π²Π΄Π° 146.

139. ΠΠΊΠ°Ρ…Π°Ρ‚Π° 147.

140. ΠΡΠ°Ρ…ΠΈ симбун 148.

141. Π•ΠΌΠΈΡƒΡ€ΠΈ симбун 149.

142. ΠœΠ°ΠΉΠ½ΠΈΡ‚ΠΈ симбун

143. ΠΠΈΡ…ΠΎΠ½ кэйдзай симбун 150.

Summary

S. Π’. Markaryan, E. V. Molodyakova. Festivals in Japan. Festivals constitute an integral part of national life. They reflect, to a certain extent, the historical socio-economic and cultural traditions of the society. There is hardly any other country in the world which has so many festivals as Japan. Leafing through the Japanese calendar one can see that every day is marked with a festival or two.

Festivals are usually conducted in conformity with a fixed tradition. There are all kinds of shows, marches, music, singing, dancing, competitions and games. Festival trappings are rich and diverse.

The analysis of the most popular festivals vis-a-vis their origin and meaning suggests several major groups.

Primarily, these are the New Year festivities which just as in other countries of Southeast Asia are universally aknowledged to be festival number one. They are lasting for the whole of winter season. Many other festivals observed at the beginning of the year are linked with the New Year festival symbolizing a new life and work cycle.

A prominent place among Japanese festivals belongs to agricultural calendar festivities known for their ancient and rich rituals. They are primarily related to rice cultivation cycle. They may be celebrated by doing real work on fields or just by imitating it.

The unique feature of Oriental aesthetics β€” association between human life and natural cycle β€” gave rise to a number of festivals connected with contemplation of nature.

Many Japanese festivals are devoted to the children. Relevant festive occasions are designated for each age and sex, which is explained by specific attitude of adults to kids as their successors. In addition, children participate in the majority of festivals celebrated by adults.

Festivals and national history constitute a single whole. Most of the festivals are related to specific historic events, national or local. Many festivals often reflect a historical event which is acted by people on the streets. Sometimes there is a reverse relationship.

Festivals are transmitted to the next generation, acquire new features and adapt to new conditions.

The Japanese authorities support and develop national festivals because of their social importance.

ΠŸΡ€ΠΈΠΌΠ΅Ρ‡Π°Π½ΠΈΡ

1

(Π“ΠΈΠΎΠ½ β€” Π½Π°Π·Π²Π°Π½ΠΈΠ΅ ΠΊΠ²Π°Ρ€Ρ‚Π°Π»Π° Π³ΠΎΡ€ΠΎΠ΄Π°.)

2

Π₯Π°Ρ‚ΠΈΠΌΠ°ΠΊΠΈ β€” наголовная повязка ΠΏΠΎΠ΄ шлСм японского самурая. Она ΠΈΠΌΠ΅Π»Π° Π½Π΅ Ρ‚ΠΎΠ»ΡŒΠΊΠΎ практичСскоС Π·Π½Π°Ρ‡Π΅Π½ΠΈΠ΅, Π½ΠΎ носила ΠΈ ΡΠ°ΠΊΡ€Π°Π»ΡŒΠ½Ρ‹ΠΉ Ρ…Π°Ρ€Π°ΠΊΡ‚Π΅Ρ€, означая Π³ΠΎΡ‚ΠΎΠ²Π½ΠΎΡΡ‚ΡŒ ΠΊ ΠΏΠ΅Ρ€Π΅Ρ…ΠΎΠ΄Ρƒ ΠΎΡ‚ обыдСнности ΠΊ свящСнности. Π’ настоящСС врСмя это ΠΏΠΎΠ»ΠΎΡ‚Π΅Π½Ρ†Π΅, ΠΊΠΎΡ‚ΠΎΡ€ΠΎΠ΅ ΠΈΡΠΏΠΎΠ»ΡŒΠ·ΡƒΠ΅Ρ‚ΡΡ Ρ€Π°Π±ΠΎΡ‡ΠΈΠΌΠΈ ΠΈ ΠΊΡ€Π΅ΡΡ‚ΡŒΡΠ½Π°ΠΌΠΈ Π² повсСднСвной Ρ€Π°Π±ΠΎΡ‚Π΅, Ρ‡Ρ‚ΠΎΠ±Ρ‹ ΠΏΠΎΡ‚ Π½Π΅ ΠΊΠ°ΠΏΠ°Π» Π½Π° Π³Π»Π°Π·Π°.

3

Π¦ΠΈΠΊΠ°Π΄Π° β€” вСсьма любимоС Π² странС насСкомоС. БущСствуСт Π΄Π°ΠΆΠ΅ Ρ€ΠΈΡ‚ΡƒΠ°Π» ΡΠ»ΡƒΡˆΠ°Π½ΠΈΡ "пСния" Ρ†ΠΈΠΊΠ°Π΄.

4

ΠšΠΎΠΊΡƒ ΠΈ Ρ‚ΠΎ β€” ΠΌΠ΅Ρ€Ρ‹ ёмкости. 1 ΠΊΠΎΠΊΡƒ = 180,4 Π»; 1 Ρ‚ΠΎ = 0,1 ΠΊΠΎΠΊΡƒ.

5

Один ΠΈΠ· Π³Π»Π°Π²Π½Ρ‹Ρ… Ρ…Ρ€Π°ΠΌΠΎΠ² Π³. Нара, Π³Π΄Π΅ находится самая большая статуя Π‘ΡƒΠ΄Π΄Ρ‹; построСн Π² 745 Π³.

6

ΠŸΠΎΡΠΊΠΎΠ»ΡŒΠΊΡƒ ΠΏΡ€Π°Π·Π΄Π½ΠΈΠΊ отмСчался Π² Ρ‚ΠΎ врСмя ΠΏΠΎ Π»ΡƒΠ½Π½ΠΎΠΌΡƒ ΠΊΠ°Π»Π΅Π½Π΄Π°Ρ€ΡŽ, Ρ‚ΠΎ ΠΎΠ½ приходился ΡƒΠΆΠ΅ Π½Π° осСнь.

7

ΠŸΠ°Ρ‚ΠΈΠ½ΠΊΠΎ β€” Π²Π΅Ρ€Ρ‚ΠΈΠΊΠ°Π»ΡŒΠ½ΠΎ стоящий застСклСнный ΠΈΠ³Ρ€Π°Π»ΡŒΠ½Ρ‹ΠΉ Π°Π²Ρ‚ΠΎΠΌΠ°Ρ‚, Π³Π΄Π΅ ΠΏΠΎ ΡΠΏΠ΅Ρ†ΠΈΠ°Π»ΡŒΠ½ΠΎΠΉ Ρ‚Ρ€Π°Π΅ΠΊΡ‚ΠΎΡ€ΠΈΠΈ, ΠΎΠΏΡ€Π΅Π΄Π΅Π»Π΅Π½Π½ΠΎΠΉ Π²Π±ΠΈΡ‚Ρ‹ΠΌΠΈ Π² панСль Π³Π²ΠΎΠ·Π΄ΠΈΠΊΠ°ΠΌΠΈ, ΠΎΡ‚ НаТатия Ρ€ΡƒΡ‡ΠΊΠΈ двигаСтся мСталличСский ΡˆΠ°Ρ€ΠΈΠΊ. НапоминаСт ΠΈΠ³Ρ€Ρ‹ Π² Π±ΠΈΠ»Π»ΠΈΠ°Ρ€Π΄, Π³Π΄Π΅ успСх Ρ‚Π°ΠΊΠΆΠ΅ зависит ΠΎΡ‚ силы ΠΈ направлСния ΡƒΠ΄Π°Ρ€Π°.

8

Π’ японском языкС ΠΊΠ°ΠΆΠ΄Ρ‹ΠΉ ΠΈΠ΅Ρ€ΠΎΠ³Π»ΠΈΡ„ ΠΈΠΌΠ΅Π΅Ρ‚ Π΄Π²Π° чтСния.