Π§ΠΈΡΠ°ΡΡ ΠΎΠ½Π»Π°ΠΉΠ½ Β«ΠΠ»ΠΈΠΊΡΠΈΡ ΠΈ ΠΊΠ°ΠΌΠ΅Π½ΡΒ». Π‘ΡΡΠ°Π½ΠΈΡΠ° 100
ΠΠ²ΡΠΎΡ ΠΠ°ΠΉΠΊΠ» ΠΠ΅ΠΉΠ΄ΠΆΠ΅Π½Ρ
364
Ramsay, Consumer Protection, ΡΡΡ. 369-
365
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 369.
366
Π‘ΠΌ., ΠΊ ΠΏΡΠΈΠΌΠ΅ΡΡ, Kinsey, The Use of Children in Advertising and the Impact of Advertising Aimed at Children.
367
ΠΡΠΈΠΌΠ΅ΡΠΎΠΌ ΠΌΠΎΠΆΠ΅Ρ ΡΠ»ΡΠΆΠΈΡΡ Morse, Commercial Speech as a Basic Freedom.
368
Schudson, Advertising, the Uneasy Persuasion, ΡΡΡ. 69.
369
Nakra, Zapping Nonsense: Should Television Media Planners Lose Sleep Over It', ΡΡΡ. 217.
370
Nakra, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΡΡΡ. 219-
371
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 219-20.
372
The Times, 25 October 1989, ΡΡΡ. 1.
373
Brogan, Tfee Penguin History of the United States of'America, ΡΡΡ. 452-453-
374
Curran and Gurevitch, Mass Media and Society, ΡΡΡ. 214.
375
Booth, Keith, ΡΡΡ. 152.
376
ΠΡΠΈ ΡΠΈΡΠ°ΡΡ Π²Π·ΡΡΡ ΠΈΠ· ΡΠΈΠ»ΡΠΌΠ° Gimme Shelter, by Maysles Films Inc., 1970, 1993.
377
Booth, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 152.
378
Bockris, Keith Richards, ΡΡΡ. 163.
379
Bockris, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 165.
380
NewsTseek, ΡΠΈΡΠ°ΡΠ° Bockris, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 167.
381
Garcia, ΡΡΡ. 94.
382
Bockris, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 164.
383
Borges, A Universal History of Infamy, ΡΡΡ. 19.
384
Gilfond, Voodoo, ΡΡΡ. 3.
385
Gilfond, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 19
386
Hart, Drumming at the Edge of Magic, ΡΡΡ. 224.
387
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 225.
388
Got My Mojo Working' by McKinley Morganfield (Muddy Waters).
389
I'm Your Hoochie Coochie Man' Willie Dixon.
390
Murray, Crosstown Traffic, ΡΡΡ. 109.
391
Low Down Rounder Blues' by Peg Leg Howell, ΡΠΌ. Taylor, The Death and Resurrection Sbovi, ΡΡΡ. 161.
392
Albertson, Bessie, ΡΡΡ. 106 β 107, ΡΠΈΡ. Carl Van Vechren, 'Memories of Bessie Smith' BjazzRecords, September 1947, ΡΡΡ. 6.
393
Booth, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 189.
394
Hart, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 228.
395
Taylor, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 169.
396
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 170.
397
Π’Π°ΠΌ ΠΆΠ΅.
398
Taylor, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 202, ΡΠΈΡ. ΠΈΠ½ΡΠ΅ΡΠ²ΡΡ Π² Playboy, January 1981.
399
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 205.
400
Densmore, Ridersof the Storm, ΡΡΡ. 144.
401
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 114.
402
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 208.
403
Turner, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 95.
404
'Π’ΠΎ Beat the Devil', Kris Kristofferson.
405
Turner, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 120.
406
Danneman, The Inner World ofjimi Hendrix, ΡΡΡ. 96.
407
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 112.
408
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 96.
409
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 101, quoting Sue dark, December 1969.
410
Turner, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 120.
411
Turner, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 119.
412
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 126.
413
Beuys, Joseph Beuys. Drawings, ΡΡΡ. 11.
414
Beuys, In Memoriam Joseph Beuys, ΡΡΡ. 12.
415
Beuys, In Memoriam Joseph Beuys, ΡΡΡ. 19.
416
Beuys Joseph Beuys. The Revolution is Us, ΡΡΡ.9.
417
Π’Π°ΠΌ ΠΆΠ΅.
418
Sime, 'Creating Places or Designing Spaces', in Groat, Giving Places Meaning, ΡΡΡ. 30.
419
Norberg-Schulz, A rcbitecture: Meaning and Place, ΡΡΡ. 181.
420
Norberg-Schulz, Genius Loci, ΡΡΡ. 168.
421
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 190.
422
Norberg-Schulz, Architecture: Meaning and Place, ΡΡΡ. 181.
423
Sime, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 32.
424
Norberg-Schulz, Genius Loci, ΡΡΡ. 5.
425
Norberg-Schulz, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ. 23.
426
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 5.
427
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 16.
428
Π’Π°ΠΌ ΠΆΠ΅.
429
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 23.
430
Norberg-Schulz, ΡΠΈΡ. ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΡΡ 213.
431
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 166.
432
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 197-198.
433
Masheck, Building-Art, ΡΡΡ. 123.
434
HRH The Prince of Wales, A Vision of Britain, ΡΡΡ. 10.
435
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 103.
436
Π’Π°ΠΌ ΠΆΠ΅, ΡΡΡ. 78.
437
HRH The Prince of Wales, ΡΡΡ. 82.