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О КНИГЕ 3

ОТ АВТОРА 10

ВВЕДЕНИЕ 13

ЧАСТЬ 1. ПЕРСПЕКТИВНАЯ МОДЕЛЬ МУЗЫКАЛЬНОГО БИЗНЕСА 27

Глава 1.1. Народно-освободительное движение в музыке 27

1.1.1. Плюсы и минусы свободной музыки 27

1.1.2. Копирайт на страже интересов. Чьих? 30

1.1.3. Структура цены звукозаписей 32

1.1.4. Экономическая основа контрактов в музиндустрии 35

1.1.5. Перипетии внедрения интернет-дистрибьюции 37

1.1.6. Неуловимые мстители 39

1.1.7. Социально-экономические противовесы копирайту 41

1.1.8. Как удалось нивелировать преимущество пиратов? 42

1.1.8.1. Уроки Napster. Дело Grokster 43

1.1.9. Пиратская модель бизнеса 47

1.1.10. RIAA против народа 49

1.1.11. Во что обходится музыкальный улов? 50

1.1.12. Экономический смысл сэмплинга 53

Глава 1.2. Парадокс однородных цен 54

1.2.1. Хорошо ли, когда цены одинаковы? 55

1.2.2. Почему не разнообразят цены? 57

1.2.3. Возможна ли иная ценовая политика? 59

1.2.4. Незащищенность безоболочечных продуктов культуры 60

1.2.5. Блошиный рынок звукозаписей 61

1.2.6. Ухудшающий отбор в индустрии звукозаписи 63

Глава 1.3. Навигация – новый вид услуг в мире музыки 65

1.3.1. Решение проблемы потребительской навигации: публичная оценка воспринимаемого качества 66

1.3.1.1. Как учесть разницу во вкусах? 67